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There is a big secret to sports. Many do not like. Few play. Behind our apparent ecstasy in celebration of the sport lies only contempt to play sports. This disdain is directed craigs to an inability to grasp, owns and ground game as fluctuation and flow of sensations, movements, relationships and potential. Sports phantasm in its aggression craigs razularena recognizes only lackluster collectivity and isolated individuals bereft of any sensation, intensity and relationship.
"All beauty must die" Velimir Zernovski appears as a critical blow to the foundations of zaednicata.Vo political context in which the dynamic relations of the players on the sports field is frozen into national icons, in which the collective potential for transmission of change and welcomes fetish winning trophy as the nation, and concrete material craigs interactions and reconfigurations between sport bodies become field projection screen fantasy and abstraction of the reality of the poor and lethargic citizen project "All beauty must die" Velimir Zernovski appears as a critical blow the foundations of community. Strategic placement of a series of drawings of billboards in the downtown area of Skopje, placed around the core of 'Skopje 2014' bears witness to the intention of this critical endeavor.
"All beauty must die" is a serious section that demystifies, banters, and opens to the democratic transformation based indoor and violent assumptions of today, our implies being together, the community and the political. "All beauty must die" is a reminder that our unrecognized fear, disdain for our sport is a picture of our fear and our disdain for the political, to the community and to living together, to change.
Appropriating dominant iconography craigs and symbolic arsenal of nationalist political project, sports symbolism in Zernovski a basis for criticism of nationalism. This krtitika it simultaneously: a critique of "search for roots" in distant antiquity; Criticism of maskulinistichkata logic inscribed in the political imagination, and masculinity as dominant matrix editing and imagination craigs of human sexuality and corporeality; critique craigs of identity fatal closed fixation of one and the same; violence and lack of acknowledgment of otherness as constitutive pluralism of existence.
Violent certainty about who we are and what we are, destructive reliability that defines a set of assumed true as we think, what to build relationships, how to perceive reality, how to relate to the world, and how to arrange living together, transform the project into Zernovski pure contingency and chance, uncertain outcome. Facing us with never guaranteed solutions to common life, "All beauty must die" invites us to place under irony and problematisation our basic assumptions as the only possible path to democratic openness and pluralism.
Performativnoto *** marking Independence Day through installation drawings brings into question craigs the violent tactics of the assumed one and the same, the image of the people and the nation in this direction was the nesluchaen Independence Day (September 8) as a timeline for setting up billboards with sketches of Velimir Zernovski. If the celebration of Independence Day is an expression of collective marking instituirachkiot moment of collective political body, glorificirachko repetition craigs of initial and constituent moment in which the will of the people becoming one, and slew abstract as one and the same country, setting drawings Zernovski in shared public space, to this day, an effort critical review of the basic assumptions of statehood and independence. Performativnoto marking Independence Day through installation drawings brings craigs into question the violent tactics of supervisor
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